Excerpts from reflections on my travels and snapshots from our pilgrimage through Chartres, France and Andalusia, Spain.
Even today when I listen to the old recordings of Jacqueline du Pre playing her beloved cello, sitting there like a lioness with it held rapturously between her legs and arms and all her body, I focus ever so deeply and quietly because it is ‘as if’ I am actually listening to Divine Mother herself. But ‘as if’ isn’t how I’d say it. She’d disappear out of my listening if I thought about it that way. It’s much more real, like a true horse trainer talking to his unbelievably beautiful horse: love-talk. For me, when Jacqueline du Pre plays, it’s as if Divine Mother says: “move over, my love, just for a few minutes.” Suddenly, I have such a longing to sing my heart out through that beautiful cello. “It’s even possible”, Ma thinks as an afterthought, “that some people listening deeply enough, might hear and get a breath of the nuanced breadth of the Divine Feminine range of Power”. (more…)
Music composition: Pejman Hadadi
In the photo:
Dancers: (from front to back) Banafsheh, Tiana Alvarez and Nehara Kalev
Musicians: Pejman Hadadi on Daf and Brad Dutz on various percussion
This piece was premiered in my full-evening dance and live music work, Amvaaj – Waves from the Unseen at UCLA and toured in North America and Europe. (more…)